5 Videoer: R.E.M

5. Can’t Get There From Here
Album: Fables of the Reconstruction (1985)

When the world is a monster bad to swallow you whole
Kick the clay that holds the teeth in throw your trolls out the door

4. Driver 8
Album: Fables of the Reconstruction (1985)

And the train conductor says
‘Take a break Driver 8, Driver 8 take a break
We can reach our destination, but we’re still a ways away’

3. Fall On Me
Album: Lifes Rich Pageant

There’s a problem, feathers, iron
Bargain buildings, weights and pulleys
Feathers hit the ground
Before the weight can leave the air

2. So. Central Rain
Album: Reckoning (1984)

I’m sorry, I’m sorry, I’m sorry, I’m sorry

1. Radio Free Europe
Album: Murmur (1983)

Calling on in transit…

5 Videoer: The Replacements

Topp 5 musikkvideoer av salige The Replacements, hvis 1987-skive Pleased to Meet Me just har rundet 30 år.

Les mer her: The Replacements: Getting Nowhere Fast

5.Merry Go Round
Album: All Shook Down (Sire, 1990)

You wake to another day and find
The wind’s blowing out of key with your sky
Only you can see
And the rain dancing in the night
Everybody stands around in delight

Merry go round in dreams
Writes ’em down, it seems
When she sleeps, she’s free
Merry go round in dreams

4. When It Began
Album: All Shook Down (1990)

Long ago, or yesterday
The queen sits quietly, the jester plays
She plays off with their heads and on with my pants
Oh and it was something, when it began

3. I’ll Be You
Album: Don’t Tell a Soul (1989)

Lonely, I guess that’s where I’m from
If I was from Canada
Then I’d best be called lonesome
And if it’s just a game
Then I’ll break down just in case
Oh yeah, we’re runnin’ in our last race

Well, I laughed half the way to Tokyo
I dreamt I was Surfer Joe
And what that means, I don’t know

2. Alex Chilton
Album: Pleased to Meet Me (1987)

I never travel far
Without a little Big Star

1. Bastards of Young
Album: Tim (1985)

Clean your baby womb, trash that baby boom
Elvis in the ground, there’ll ain’t no beer tonight
Income tax deduction, what a hell of a function
It beats pickin’ cotton and waitin’ to be forgotten

We are the sons of no one, bastards of young
We are the sons of no one, bastards of young
Now the daughters and the sons

Unwillingness to claim us, ya got no war to name us

The ones, love us best are the ones we’ll lay to rest
And visit their graves on holidays at best
The ones, love us least are the ones we’ll die to please
If it’s any consolation, I don’t begin to understand them

Bjørn Hammershaug

Sammy Brue: Son of Ogden, Utah

It’s been told of Ogden, Utah-born singer-songwriter Sammy Brue how, at age 10, he received a guitar for Christmas and immediately started writing songs inspired by Bob Dylan and Woody Guthrie. Amazingly, that was only 5 years ago, given that today Sammy Brue is just 15 years old. Needless to say, things have moved quickly for this talented young prodigy.

In his fast-rising career, Sammy has busked at the Sundance Film Festival, performed at the Newport Folk Festival, and opened for the likes of Hayes Carll, Lydia Loveless, John Moreland, Lukas Nelson, Lucinda Williams and Asleep at the Wheel.

After releasing three homespun EPs, he scored a record deal with renowned folk and Americana label New West Records, home of such songwriting legends as Rodney Crowell, Steve Earle, Robert Ellis, Andrew Combs, Buddy Miller and John Hiatt.

As of late Brue has been touring in support of Justin Townes Earle, with whom his relationship stems back a couple years already. Some might recognize Brue from the cover of Earle’s 2014 album Single Mothers. In a recent review of Justin Townes Earle’s concert at New York City’s Webster Hall, Popdust couldn’t help but mention this about Brue’s performance:

His voice alone is enough to bring a fighter to their knees, enough to crush the world’s treasure of diamonds into dust and enough to force the moon to stop its orbit. He doesn’t have to say much between songs; his music is brawny and heartfelt and he lets you feel everything. If he continues down this path, there is only greatness awaiting him.

Recorded down in Muscle Shoals with Alabama Shakes keyboardist Ben Tanner and John Paul White of the Civil Wars, Sammy Brue launches his anticipated full-length debut, I Am Nice, on June 16. The record demonstrates, in the wise words of New West, “the young troubadour to be a timeless talent whose catchy compositions embody the sort of wisdom, empathy and insight that’s usually associated with more experienced songwriters.”

Who is Sammy Brue? Can you introduce yourself?

Hey, everyone. I’m Sammy Brue, a young artist making music and hoping I make the right moves so you guys hear it. I was Oregon-born, but consider Ogden, Utah my home now. Something about the mountains, I guess.

Thanks, Sammy! Tell us a little about your most recent recording “I’m Not Your Man.” What’s it about?

“I’m Not Your Man” is actually an older song I wrote that has been changed more times than I can count. I’ve changed words, titles and tempo a ton, but finally I’m really happy with it how it is. John Paul White and Ben Tanner really helped out with making it come alive in the studio. I guess it comes from being the introvert kid that was too scared to talk to girls but sat back and noticed the boys that seemed to always get the girl too. Probably a lot about being put into the friend zone in there too.

Who are your musical heroes?

I have so many. It starts with the originals, though: Woody, Leadbelly and Robert Johnson. Then I worked my way forward through time. I love Etta James! Artists seem to find inspiration in these eras, I’ve noticed. You can see how [Bob] Dylan was affected by it and in return affected so many others. Even if it in no way is the same genre, artists pull from the same places, I think. You would have to call them heroes.

When and how did you first get into music?

Well, I have a dad that never listened to the radio when I was really young. He would play a ton of Dylan, Johnny Cash, and Prince along with older artists when we would go on drives and around the house. I always thought that this was what was being played on the radio. I had no clue these were recordings. Then he would bring home newer music along the same vein like Old Crow [Medicine Show] and The Avett Brothers. But it wasn’t until I was eight years old that I heard what was really on the radio, which I remember just digging the big sound of. When I got my first acoustic guitar, I was 10 years old. I remember just being drawn back the old sounds of the troubadours. That was the music and kind of songs I wanted to make.

Any album, artist or experience in particular that has changed your perspective on music?

Recording my album in the Muscle Shoals area changed everything for me. Working with Ben Tanner and John Paul White taught me so much about music and possibilities. Both of them are geniuses when it comes to arrangements. I had never really worked with anyone before that either, so it opened my mind to co-writing and collaborations.

Bon Iver also changed my perspective on creating music too. Made me want to reach more rather than being safe all the time. Another time I played a show with John Moreland, and after watching him, I changed up my approach to songwriting.

What’s the best new song you recently discovered?

“I Don’t Trust Myself (With Loving You)” by John Mayer. I recently started picking his music apart – and by recently I’m talking about two weeks ago. I’ve known who he was, but never dug into his music until now. It’s been a good journey to see how he blends his influences with a pop vibe. He does it so well! As a guitar player, he makes me feel like a slacker.

What’s your favorite activity besides music?

I love skating every chance I get, but I get reminded all the time about how much an injury could cost. I do it anyways because why not? My skateboard isn’t welcome on tour, though! So many streets across the country I’m going to miss out on.

Cool, so what’s coming next for you?

I’m hitting the road with one of my recent heroes Justin Townes Earle. Feels like a bucket list kind of thing to me. His style and songwriting inspired me from the first time I ever heard him or found videos of him on the Internet. After I met him and started talking to him, I knew music was what I wanted to do for the rest of my life pretty much. Now we’re on the same label and releasing albums around the same time… Blows me away. Then just hoping lightning strikes.

Looking one year ahead, where would you like to see yourself?

Hopefully releasing another album. I have the second album all ready to go and keep adding songs that I feel make the cut as I go. I’ve been rehearsing with my band for the last seven months and can’t wait to hit the road with them. Just want to release this album that I love and tour it until then.

And finally, if your music was a food, what would it be?

Chocolate milk because milk comes from nature, which is the roots, and then you throw some flavor in it!

Bjørn Hammershaug